DIAGRAMS






















 
 
TIP 1
ADDITIONAL SOUNDS
Guitarists sometimes look for various modifications to the guitar pickup connections to obtain some additional or non-standard sounds.
For guitars like the Fender Stratocaster (S-S-S), I propose an easy expansion of the sound palette while maintaining the current connection layout (with a 5-position switch), which is optimal and works for the vast majority of needs.

This does not require any modification to the guitar, only the use of a push-pull switch on one of the potentiometers (e.g. Volume).
When the push-pull switch is pressed, the engagement combinations are as standard.
When the push-pull is pressed, the pickups engage differently and provide additional sounds.

The presented "expansion" additionally provides a very interesting sound option of simultaneously switching on the bridge and neck pickups, which gives a very wide sound: the glassiness and dynamics of the bridge pickup are combined with the depth and warmth of the neck pickup.
This combination is obtained in positions 1 and 5 of the pickup switch.
The modification also allows simultaneous switching on of all three pickups, to obtain a maximum and full signal.

This combination is obtained in positions 2 and 4 of the pickup switch.

 
 
TIP 2
ALTERNATIVE COIL DISCONNECTION
Almost 70 years ago, P.A.F. humbuckers were invented. Not much later, someone came up with the idea of ​​disconnecting the humbucker coils (to obtain a quasi-single-coil sound) by shorting the winding of one of them to ground.
And so the "brand standard" of connections was born, which is still widely used today.

But anyone who studied physics (that from 190 years ago - about magnetism, induction, self-induction, Fraday's law, Lenz's rule...) can intuitively feel that shorting the pickup coil in a variable magnetic field somehow clashes with what they were taught in school.
Because: in a variable magnetic field (in the pickup: from a locally vibrating magnetized string), a variable voltage is induced in the coil (the signal from the pickup). If we short-circuit the pickup coil (e.g. to ground), a self-induction current will flow in it, which will counteract the changes in this field, and therefore the vibrations of the strings.

Shorting one coil may therefore cause a certain damping of the string vibrations, manifesting itself in slightly less sustain, and in certain cases also "dull sounds" (wolves) on individual frets and strings.

This risk can be easily bypassed by using an alternative coil disconnection system, in which the coil winding is not short-circuited.

 
 
TIP 3
DETERMINATION OF THE FREQUENCY CHARACTERISTIC
 
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